ISO: ARC Reviewers

Hey everyone!

With the release of A Book About Life coming up in just 4 months, I’m putting out feelers for ARC Reviewers.

Interested?

This book is inspired by real events, LGBT protagonist, Jane Austen feel, low-concept (character driven), contains mental health topics and even a HEA (happily ever after). New Adult Fiction, romance subplots.

What I’m looking for in an ARC Reviewer:
-likes to read
-will leave a review (when the book is up for sale) on Amazon/GoodReads/iTunes/etc

Optional things:
-put up a blog post about thoughts (or I’ll come around and we can chat!)

What you’d get:
-PDF version of A Book About Life for FREE!
-This would be sometime around November

If this sounds like something you’d be interested in, let’s chat! Inexperience isn’t necessarily a bad thing. I haven’t determined how many ARCs will go out, but I’m thinking about 12 tops, so let me know!

Coming up soon: Cover reveal and dare I say it…GIVEAWAY! (And here you thought November was only good for pie!)

-M

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My People! An Announcement!

Long time no speak!

It’s time for our monthly update, I think, and that means I need to bring some good news to the table!

Mark your calendars now, because a fresh new take from me is coming to an online retailer near you! I get to announce that my book, A Book About Life, will be published later this winter!

I’ve been away from the blogaverse because I’ve been deep in an editing phase, and that’s been delight (what with finals and internship and classes and work) but that means I’m doing everything I can to make my work as good as it can be.

So what even is A Book About Life?

Well, think about Pride and Prejudice. Think about survivor tales. Think about New Girl. Think about social work.

And there you have it! But in case you want more, here’s my blurb about what you can expect.

Alicia Whittemore graduated college with three things: a master’s in clinical social work, a quarter of a million dollars in student loans and the hope of saving the world. All her studying seemed to pay off when she landed a job at St. Vincent Memorial, but her troubles were only beginning. When a tempestuous board member and a heart-breaking patient emergency prove to be too much for Alicia, she must come to the realization that there’s so much more to life-and love-than settling for stability.

A Book About Life centers around a millennial trying to find her way though the world after college. She’s a hospital social worker who chooses routine over anything adventurous.

Millennial main character? Check (she’s in her upper 20s)

LGBTQ main character? Check (She’s ACE!)

Ride or die best friend? Check (they met doing a play)

Mr. Darcy character? Check (he means well, but yeesh)

Honest portrayals of mental health? Check (it gets heavy sometimes)

A Book About Life is a tale inspired by my love of Jane Austen, and my work as an MSW student. Each character is based on someone I know, someone I care about. Each situation is discussed with honesty and with respect, but with the depth that I kept completely real. This book contains empowerment after sexual assault, after domestic violence and after self-harm.

I took what I know-working with survivors of intimate partner violence-and I showed how those things play into the life of a very new, very conflicted working millennial. Based on truth, wrapped in emotion, it’s a book that shows the caffeine addicted, trauma informed career that I’ve inserted myself into.

A Book About Life, the New Adult Fiction book about, well, life, comes out this winter!

Back to the Grindstone

The last of my #PitMad queries came back this week. It wasn’t quite the yes I’d been hoping for. And in fact, wasn’t a yes at all. But to have multiple agencies request fulls was a beautiful thing. It means that people believe in my story, my ability. And in the end, it was a “fit” issue that led me to the beginning of the process once more.

But here’s what I gained: a successful query letter. A successful manuscript that people can believe in. Confidence.

I mean, I’ve been through this process a fair amount. I had a 90k manuscript that got rejected a LOT. And I put it away, to give myself a break. I started new projects, started new processes. Outlined. Drafted. Edited. You know, the writing stuff. And I ended up with this 60k piece of work that I enjoy reading, and that I actually LIKE editing. And that’s new. I believe in my work.

So as much as it hurts to have come so close (I’m talking that last gasp before a contract close) and leave empty-handed, I know that it’s a project that someone will take.

And in accordance with that, I sent out 2 dozen query letters this weekend. And I have another set that will go out in a month or so, pending any responses. It’s gone through an additional edit since this last round, and I feel even more confident about it.

I mean, how great is it to know-to just know-that you have something worth putting energy into, and participating in the process to do just that?!

Guess we’ll see where this leads!

Wish me luck!

And for those interested, #PitMad is a Twitter based manuscript pitch that happens 4 times a year. More information (including what hashtags to use, who/what/when) can be found at: https://pitchwars.org/pitmad/

Happy writing!

One More Rebellion

To understand where this post is coming from, it is important to know that I’ve been in a very pensive, reminiscing attitude lately. I’ve been working on a new book in which much of the young adult culture of the early 2000s plays a part. But also, I’m about to start the semester and that’s the point where I start thinking about how I got to where I am.

Part of the business of growing up is a little thing I’ll call “going corporate”. Masses of people leaving behind the neon hair, the black and red eyeliner, the studded belts and chucks for business suits, natural hair colors and 9-5s.

And I’m not having it.

So many people my age (and older) make comments like:

“I don’t know what I was thinking about that hair.”
“I can’t believe I wore that/dressed like that/went out like that.”
“I’m so glad I grew out of that.”
“I’m so glad that phase ended.”

And that’s fine… for them.

But I look back at the pictures, the memories, the status updates and I don’t feel ashamed or embarrassed. And the thing is, I can’t remember ever thinking I’d made a mistake. In my closet you’ll find business clothes-interview attire, internship outfits. But you’ll also find band tees, studded belts, two pairs of chucks, and skinny jeans (yep, even my size). My makeup is all deep and vampy.

So imagine my surprise when the suggestion came across my screen that instead of just 2019, we should be celebrating 20NineScene (Scene being the neon cousin of the emo culture that I reference above.). And I could not be more excited.

Because you see, we are the cycles we have lived through. Yes, I believe in moving past periods of time that are too negative for you, that are toxic. After all, what kind of (future) social worker would I be if I supported toxic environments? But why should I (and may others) feel that there is something to be ashamed of by exploring who we are?

So this 2019, instead of walking longingly past Hot Topic and pining for the days when I didn’t feel like a kid in their parent’s business suit, I’m going to allow myself one final rebellion. I want to slide into 2020 (and the return of the Roaring 20s) in the throes of the crimson and black smudged eyes, the black-like-my-soul outfits, the spiky hair, the splashes of neon breaking up the monotony. I never stopped listening to the music I did in high school, and in fact I prefer it to the stuff now (I’m exactly that old). Grunge music like Nirvana and Three Days Grace. Emo punk like All American Rejects. Emo pop like Panic! at the Disco and Fall Out Boy. Dashboard Confessional. My personal favorite, Boys Like Girls. My Chemical Romance. And so many of the glorious others.

In high school, I had so many dreams about who I would be when I approached my current age. And I’m honestly nowhere close. I thought I’d be done with school, traveling, maybe even semi-famous. And if I’m honest with myself, I still hold out for that. It’s why I took a chance on a manuscript that I sent out before winter break to agents. I believe in that manuscript like people praying in church. It’s raw and honest and hopeful-everything I am at my core. I believe that someone will look at it and see the potential, will give me a chance to prove that it’s worth it. I believe in myself.

And none of that would be the case without the high schooler who felt the world a bit too much. Who needed validation more than air. Who wasn’t afraid to rock the red eyeliner, the spiked hair, the black wardrobe. I believe in her as much as she believed in the future. And that’s why I’m completely in support of 20ninescene. Because why on earth would I ever choose to lose who I am just to “go corporate”?

Writing Tips for the Busy

This Winter Break I’ve been doing a lot of writing. I really dove into my hobby and I made it work for me. I’ve got one fully polished manuscript, and I’m about 10% of the way through the first book of a trilogy (doesn’t that sound impressive!). But in just a hot minute, I’ll be back at classes, this time with a field placement and I’ve realized that I’m going to need to block my time more prudently. So.

  • Make the time

I’ve got a calendar all set up, which shows me what my major obligations are. I’ve got class days marked in one color, homework blocks in another and writing blocks in a third. This way, it’s the most important date with myself-and I’ll be able to keep on track. (Famous last words, I know.)

  • Change scenery

I’m not talking field trips here, I’m talking the thing you’re looking at. Sometimes the words just don’t plop on the page as quickly (or numerous) as you beg them to. Change fonts. Change programs. Switch handwriting (or languages!). That difference will let you pick out editing mistakes, and may just get you out of the slump.

  • Word Sprints

I learned this trick from NaNoWriMo (National Novel Writing Month). Sometimes all you have is 15 minutes. And that’s plenty. Take your 15 (or 10, or 5) and jam as many sentences as you can into that time. Don’t go for edited masterpiece-just go for words on a page. Do this 4 times and you’ve got your hour of writing for the day.

  • Start with your favorites

This one I learned the hard/easy way. For me, starting at “Sentence One” and taking my idea start to finish is hard. Great for continuity, terrible for inspiration. I’d always have that “But I wanted to write THAT scene” syndrome. So with the polished manuscript, I jumped out of my habit and wrote what I call “Scenes Out Of Context”. (I even label them as “SOOC: Scene Name”). I have a list of scenes that I know need written, and I start working on whichever one seems the most awesome to me at that moment. About halfway through, I’ll decided none of them sound awesome and then I’ll start “Sentence One”. Which, by then, I’ve got a great idea of how I want the tone to be, I’ve got enough to do some foreshadowing and I’m not offended by linking the chapters together (which adds to my word count).

  • Use said, then add

This last piece of goody info is actually an editing piece. I discovered that the easiest way to come up with the basic manuscript is to low-ball it. Write through the skeleton of it, using only the most basic of dialogue tags: said. Don’t describe things unless absolutely necessary to the scene. Don’t describe the characters unless absolutely necessary to the scene. And give yourself the most basic of word counts. For a 62k book, I gave myself a 35k skeleton goal.

And then? As you edit, you’ve got a feel for the people. Apart from the obvious editing (grammar, punctuation, etc) you can now search your document for “said” and add in fleshed out dialogue tags (any number of which will give you an additional 1-10+ more words). Then add in the descriptions that you left out: buildings, aromas, the way the food tasted, what the characters were wearing, any mannerisms that weren’t obvious in the skeleton but you knew were there. (Leave notes as you add bones, so you can add in stuff later and not forget!). I added several plot-hole-fixers during that point, and an additional 15k words in just “meat” that I’d left out. That way I knew my structure was solid, and the rest added layers.

See anything I missed? Any tips you’d have added? Any of these not work for you? Let me know!