This Winter Break I’ve been doing a lot of writing. I really dove into my hobby and I made it work for me. I’ve got one fully polished manuscript, and I’m about 10% of the way through the first book of a trilogy (doesn’t that sound impressive!). But in just a hot minute, I’ll be back at classes, this time with a field placement and I’ve realized that I’m going to need to block my time more prudently. So.
I’ve got a calendar all set up, which shows me what my major obligations are. I’ve got class days marked in one color, homework blocks in another and writing blocks in a third. This way, it’s the most important date with myself-and I’ll be able to keep on track. (Famous last words, I know.)
I’m not talking field trips here, I’m talking the thing you’re looking at. Sometimes the words just don’t plop on the page as quickly (or numerous) as you beg them to. Change fonts. Change programs. Switch handwriting (or languages!). That difference will let you pick out editing mistakes, and may just get you out of the slump.
I learned this trick from NaNoWriMo (National Novel Writing Month). Sometimes all you have is 15 minutes. And that’s plenty. Take your 15 (or 10, or 5) and jam as many sentences as you can into that time. Don’t go for edited masterpiece-just go for words on a page. Do this 4 times and you’ve got your hour of writing for the day.
- Start with your favorites
This one I learned the hard/easy way. For me, starting at “Sentence One” and taking my idea start to finish is hard. Great for continuity, terrible for inspiration. I’d always have that “But I wanted to write THAT scene” syndrome. So with the polished manuscript, I jumped out of my habit and wrote what I call “Scenes Out Of Context”. (I even label them as “SOOC: Scene Name”). I have a list of scenes that I know need written, and I start working on whichever one seems the most awesome to me at that moment. About halfway through, I’ll decided none of them sound awesome and then I’ll start “Sentence One”. Which, by then, I’ve got a great idea of how I want the tone to be, I’ve got enough to do some foreshadowing and I’m not offended by linking the chapters together (which adds to my word count).
This last piece of goody info is actually an editing piece. I discovered that the easiest way to come up with the basic manuscript is to low-ball it. Write through the skeleton of it, using only the most basic of dialogue tags: said. Don’t describe things unless absolutely necessary to the scene. Don’t describe the characters unless absolutely necessary to the scene. And give yourself the most basic of word counts. For a 62k book, I gave myself a 35k skeleton goal.
And then? As you edit, you’ve got a feel for the people. Apart from the obvious editing (grammar, punctuation, etc) you can now search your document for “said” and add in fleshed out dialogue tags (any number of which will give you an additional 1-10+ more words). Then add in the descriptions that you left out: buildings, aromas, the way the food tasted, what the characters were wearing, any mannerisms that weren’t obvious in the skeleton but you knew were there. (Leave notes as you add bones, so you can add in stuff later and not forget!). I added several plot-hole-fixers during that point, and an additional 15k words in just “meat” that I’d left out. That way I knew my structure was solid, and the rest added layers.
See anything I missed? Any tips you’d have added? Any of these not work for you? Let me know!